Joep Beving - Liminal (LP)
Joep Beving’s album Liminal is inspired by Guillaume Logé’s book Wild Renaissance. In response to growing uncertainty and the decay of old systems, Beving explores the role of humanity within a broader, more-than-human ecology. In doing so, he seeks connection with nature rather than separation from it. He explains: “The album moves between two sides. Sometimes I try to shape and refine sound to its purest form. At other times, the music seems to flow on its own, to shift, blur, and return to silence as if guided by something natural. It’s less about structure and more about connection, resonance, and transformation—closer to ecology than to architecture.”
Liminal consists of 15 solo piano pieces, partly interwoven with electronics, and inhabits an in-between space that takes the audience on an atmospheric journey between contemporary compositions and introspective sound poetry.
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Joep Beving - Liminal (LP)
Joep Beving’s album Liminal is inspired by Guillaume Logé’s book Wild Renaissance. In response to growing uncertainty and the decay of old systems, Beving explores the role of humanity within a broader, more-than-human ecology. In doing so, he seeks connection with nature rather than separation from it. He explains: “The album moves between two sides. Sometimes I try to shape and refine sound to its purest form. At other times, the music seems to flow on its own, to shift, blur, and return to silence as if guided by something natural. It’s less about structure and more about connection, resonance, and transformation—closer to ecology than to architecture.”
Liminal consists of 15 solo piano pieces, partly interwoven with electronics, and inhabits an in-between space that takes the audience on an atmospheric journey between contemporary compositions and introspective sound poetry.
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Joep Beving’s album Liminal is inspired by Guillaume Logé’s book Wild Renaissance. In response to growing uncertainty and the decay of old systems, Beving explores the role of humanity within a broader, more-than-human ecology. In doing so, he seeks connection with nature rather than separation from it. He explains: “The album moves between two sides. Sometimes I try to shape and refine sound to its purest form. At other times, the music seems to flow on its own, to shift, blur, and return to silence as if guided by something natural. It’s less about structure and more about connection, resonance, and transformation—closer to ecology than to architecture.”
Liminal consists of 15 solo piano pieces, partly interwoven with electronics, and inhabits an in-between space that takes the audience on an atmospheric journey between contemporary compositions and introspective sound poetry.
