Naemi - Breathless, Shorn (LP)
Naemi follows last year’s excellent Erika de Casier-starring ‘Dust Devil’ with a genius new album of ultra-catchy, perfectly executed shoegaze diamonds, powered by Ulla on drums and additional vox, flutes and extra vocals by Baptist Goth, and fuzz guitar by Kouhei - big big tip if yr into MBV, Lush or Belong, and brought to you via Ulla’s fledgling 28912 label.
‘Breathless Shorn' is the Berlin-based Kansas-born producer's most compelling move thus far, featuring 11 perfectly fuzzed songs that almost completely shake off any electronic remnants in favour of a light-touched act of MBV worship. Naemi has long nurtured an obsession with vintage dreampop and shoegaze, but until now they mostly blurred those influences with dubby ambience and delicate, heart-slicing production. On ‘Breathless Shorn’ they completely re-draw their outlines, bristling with a much looser energy in a mode that feels like a big step up - more impactful, full of easy swagger and a bona fide emotional resonance.
Distorted, tremolo-bent guitars, boxy drums, electric bass and delirious multi-tracked vocals are the backbone here, mostly sounding like they could have been lifted off Kevin Shields' 'Ecstasy and Wine' sessions. Naemi's attention to detail is remarkable; no longer leaning on electronic masking or the influence of '90s British slacker rawk or twee pop, instead deploying the genuine article, with ambient music left as just a faint note wafting in the background.
Impactful and addictive, a true rinse-and-repeat album - one of the best we’ve heard this year.
Naemi - Breathless, Shorn (LP)
Naemi follows last year’s excellent Erika de Casier-starring ‘Dust Devil’ with a genius new album of ultra-catchy, perfectly executed shoegaze diamonds, powered by Ulla on drums and additional vox, flutes and extra vocals by Baptist Goth, and fuzz guitar by Kouhei - big big tip if yr into MBV, Lush or Belong, and brought to you via Ulla’s fledgling 28912 label.
‘Breathless Shorn' is the Berlin-based Kansas-born producer's most compelling move thus far, featuring 11 perfectly fuzzed songs that almost completely shake off any electronic remnants in favour of a light-touched act of MBV worship. Naemi has long nurtured an obsession with vintage dreampop and shoegaze, but until now they mostly blurred those influences with dubby ambience and delicate, heart-slicing production. On ‘Breathless Shorn’ they completely re-draw their outlines, bristling with a much looser energy in a mode that feels like a big step up - more impactful, full of easy swagger and a bona fide emotional resonance.
Distorted, tremolo-bent guitars, boxy drums, electric bass and delirious multi-tracked vocals are the backbone here, mostly sounding like they could have been lifted off Kevin Shields' 'Ecstasy and Wine' sessions. Naemi's attention to detail is remarkable; no longer leaning on electronic masking or the influence of '90s British slacker rawk or twee pop, instead deploying the genuine article, with ambient music left as just a faint note wafting in the background.
Impactful and addictive, a true rinse-and-repeat album - one of the best we’ve heard this year.
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Naemi follows last year’s excellent Erika de Casier-starring ‘Dust Devil’ with a genius new album of ultra-catchy, perfectly executed shoegaze diamonds, powered by Ulla on drums and additional vox, flutes and extra vocals by Baptist Goth, and fuzz guitar by Kouhei - big big tip if yr into MBV, Lush or Belong, and brought to you via Ulla’s fledgling 28912 label.
‘Breathless Shorn' is the Berlin-based Kansas-born producer's most compelling move thus far, featuring 11 perfectly fuzzed songs that almost completely shake off any electronic remnants in favour of a light-touched act of MBV worship. Naemi has long nurtured an obsession with vintage dreampop and shoegaze, but until now they mostly blurred those influences with dubby ambience and delicate, heart-slicing production. On ‘Breathless Shorn’ they completely re-draw their outlines, bristling with a much looser energy in a mode that feels like a big step up - more impactful, full of easy swagger and a bona fide emotional resonance.
Distorted, tremolo-bent guitars, boxy drums, electric bass and delirious multi-tracked vocals are the backbone here, mostly sounding like they could have been lifted off Kevin Shields' 'Ecstasy and Wine' sessions. Naemi's attention to detail is remarkable; no longer leaning on electronic masking or the influence of '90s British slacker rawk or twee pop, instead deploying the genuine article, with ambient music left as just a faint note wafting in the background.
Impactful and addictive, a true rinse-and-repeat album - one of the best we’ve heard this year.
